I’m finally getting around to posting my Venice photos from our Italy photography workshop, which we’ll be doing again in 2018! Until then I hope you enjoy a few photos from what I consider to be one of the most picturesque places on earth.

This was our awesome team from last year! They walked thousands of steps and took thousands of photos, and I’m pretty sure we had thousands of laughs.

Venice is a great place to photograph people. The pace is a little slower and people are always on foot or spending time in the squares.

The gondoliers with their old fashioned striped uniforms and hats provide many photo opportunities.

I thought texting and driving was a problem. I guess in Venice texting and rowing is the equivalent. 🙂

The small, quiet canals create many reflection opportunities of the old colorful buildings and boats.

I can never resist this classic Venice image of the gondolas parked near San Marco square. When the sky is active with clouds at sunset, this is the first place we go to set up for that timeless shot.

While trying to find our restaurant for dinner, we passed this little boat being lit by a small open doorway across the canal. We passed it many times during the day and never gave it a second look. But at night with low light and the glow from the doorway, it became a magical scene.

I love the colors of Murano. The buildings there are more colorful than Venice, so it’s fun to walk down the back streets away from the glass factories to find these little gems.

Can you have too many photos of the laundry on lines above the quaint streets and canals? I know I can’t seem to get enough.

The seafood market is held in this building and when it rains I like to hang out under the cover of the roof and watch for people entering the light.

Navigating these streets is a bit tough for outsiders, but the locals always know the best routes to take through the tiny, winding alleys between canals. This is probably one of my favorite film shots taken with my Leica M6 using Portra 160.

Since there are no cars on Venice, boats are the only real form of transportation. You’ll see the ambulance boat, the “truck” boats, the fishing boats, and the fast boats among all the gondolas.

See what I said about the laundry?

I hope you enjoyed this mini-tour through Venice. It is one of the best places to photograph in the entire world if you ask me, and I just can’t wait to go back.  Hopefully you’ll join me there!

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Death Valley never ceases to amaze me, and our last trip was no exception. The park saw unprecedented rainfall last fall, leaving many of the roads and sites destroyed by water and mud from the flash flooding. The park service did an amazing job of clearing and repairing the roads in a relatively short time, leaving only Scotty’s Castle and a few other minor arteries closed. We were a tad nervous that our workshop would be affected, but the reality is we can’t control Mother Nature and knew it would create new photographic opportunities. We decided to make the most of it, and we were well rewarded.

Badwater basin is normally all crystal white with dried salt, but this year it was filled with water and the reflections were some of the best that I can ever remember. I guess we weren’t  alone in our thinking as another photographer rode his bike out to the basin to capture an amazing sunset.

Personally I could have spent the entire week at Badwater just photographing the reflections of the mountains on the salt flat. As the sun went down it cast the most beautiful light on this desert lake, creating an otherworldly scene.

Despite our salty and wet feet, I don’t think anyone from our team really wanted to leave as the light was simply unreal, and the colors amazing. 

It wasn’t just the presence of the water and light that made Death Valley so different this time around for us, it was also the fun and interesting people we met along the way. Meet Sierra, a very vibrant, sweet, and sincere guy from California. He and his crew of teachers were on the flats practicing some yoga poses and enjoying the photography. I heard him say he needed to get wider, so I walked over and loaned him my Zeiss 15mm so he could try it out. Meeting new people and sharing a beautiful location with good souls and swapping stories (and lenses!) are the moments that define a memorable trip. (Sierra, if you’re reading this, how did those photos turn out? We’d love to see them!)

Sierra with his friends enjoying a beautiful sunset at Badwater.

The rains didn’t stop international travelers either. We arrived at Devil’s Golf Course, which admittedly isn’t my favorite location to photograph in Death Valley because of it’s harsh conditions and drab colors. But, like I said, the desert never ceases to amaze me. This fellow photographer was visiting with friends from Vancouver to photograph Death Valley as well, but if I hadn’t known better I would have thought she was a model shooting a camera ad.  She was a good sport and even provided the group with some fun photographic opportunities beyond that of Devil’s Golf Course landscape. 

The sunrise at the dunes is hard to beat as far as epic photo ops go, and while the hike takes a little bit of time, the reward is worth it. This year I decided to step back from my digital camera and spend more time shooting with my Pentax 6×7 loaded with Kodak Portra 160. The team was all set up and shooting away, so I took a step back and watched the sun slowly peak up over the horizon. How a place so desolate can be so beautiful will always inspire me.

I have yet to see a bad picture from the dunes as the lines and ripples morph and change as the sun moves overhead.

And for me this year the dunes were about shadows, shapes, and texture of the landscape. I wanted to break it down to it’s simplest forms and see if I couldn’t maximize the impact of the small things.

People always ask me why I love Death Valley so much. There’s simply no other place like it on earth…

And, I’m a sucker for long shadow shots!

I’ve been visiting Yellowstone National Park for decades, and for the last 9 years I’ve had a cabin located near the Madison River just outside the park. Staci and I love the area more than almost anywhere else on earth, so last year we decided to take all that experience and love of the area and share it by offering a 5 day Yellowstone Photography Workshop. The results were beyond our wildest dreams. Since we can only take six of you at a time, I thought I would share some fun facts about the area that you might not know, and give you some quick tips in our photographer’s guide to Yellowstone National Park.

Bacteria creates colorful hot springs

Yellowstone is such a unique place with hundreds of beautiful hot springs.  Many of these hot springs are brought to life with color as sunlight reflects off their unique bacterial mats creating vibrant colors. Different colors are created by different bacteria that live only in certain temperatures. The grand daddy of them all is the Grand Prismatic.

The Grand Prismatic Spring from above

A macro view of bacteria mat

Yellowstone is home to hundreds of waterfalls
Park rangers and hikers find new waterfalls every year in the backcountry, but some of the most beautiful are accessible via car. When photographing a waterfall make sure the sun is not directly on the falls to get the most detail. Create a shot list, map your route and make sure to plot your waterfall photography during optimal times.

Gibbon Falls

Yellowstone is a giant caldera!
This one took me a while to get my head around, but what makes Yellowstone’s eco system so unique is it’s flourishing on top of an ancient volcano. And, believe it or not, scientists believe there’s a giant hot spot directly below the park, and as the tectonic plate slowly moves over it, the geothermal features of the park continue to change. The geothermal features include hot springs and bubbling mud, which of course creates endless mystical photographic opportunities.

Yellowstone Mist

Boiling mud bubbles

Elk fight for their harem of females every fall

Now this one I totally get! 🙂 It’s true, elk will clash with other bull elk during the rut which takes place every year in the fall. A fun fact is that the timing of the rut is not determined by temperature, it’s the declining amount of light each fall that changes their hormones and puts them in “the mood.” If you want to see crazy eyes, then you should have seen these two bull elk fighting this last fall. Thankfully Staci had a zoom lens on and despite dwindling light, she was very fortunate to capture this brawl. She had to bump up her ISO to make sure her speed was fast enough to capture the fight.

Elk fighting at West Thumb Geyser Basin

Grizzly bears are not always brown

Many of our workshop attendees were surprised to see how silvery-gray this grizzly was. Like many people some of them thought the best way to tell the difference between black bears and grizzly bears is the color of the fur, but “black” bears can actually be brown, and grizzlies can be anywhere from black to brown to silver! Instead look for the humped shoulders and pie-shaped face. We managed to find a grizzly on the last day of our workshop on our last ride to look for them.

A grizzly lumbering through a field

Old Faithful is not the biggest or most faithful geyser in the park

In writing a photographer’s guide to Yellowstone, we’d be remiss to leave out Old Faithful! Old Faithful erupts every 35-120 minutes and goes off for anywhere from 1.5-5 minutes. Usually the longer the time between eruptions, larger and longer the eruption. The best way to photograph the geyser is to put something in the frame to give it scale. Otherwise it may not be obvious that its almost 200 ft high! Check the live streaming Old Faithful webcam!

Old Faithful with an old douglas fir in the foreground for scale

The greater Yellowstone Eco-system has some of the best fishing in the world
I’ve been coming to Yellowstone since I was in my mid 20’s, first because of my love for the great outdoors, and then I learned to fish! If you think photography is an addiction then you should try fly-fishing. The great thing about Yellowstone is it offers some of the best Blue Ribbon (high quality fishing) water in the United States. This year we thought we would share our passion for fly-fishing, by offering an optional one-day fly-fishing excursion complete with instruction from our good friend and professional guide Geoff.

Geoff gave great instructions to first time fly-fisherman

John Prince, our driver and rural specialist, helped net a few

Of course they don’t call it catch and release for nothing!

Catch and Release

Yellowstone is very accessible to the public and it’s hard to find a bad location to photograph. You can fly into Bozeman or even West Yellowstone then rent a car to drive through the park. I recommend allowing yourself a minimum of two to three days in the park. A word of warning, the summer months are very busy with August being a madhouse with family vacationers so make your reservation well in advance, and remember patience is key because traffic back-ups are very common.  I always tell people to go explore Yellowstone for the first time with their family because it’s a wonderful bonding experience and classic family vacation. But when it comes time to focus on your photography and not feel guilty about leaving your family behind then dedicate some time to yourself in the park or consider a Yellowstone workshop where your’e surrounded by like minded people.

It’s been a crazy three months and we’re wrapping up our fall photography workshops. Staci and I have had the pleasure of  hosting photography workshops in Yellowstone, New York City, Chicago, and we just returned from Death Valley. It’s been busy, fun, and exhausting, but the people we meet and the places we see really makes it worth our time.

I haven’t had much time to review my images, but I thought I would share a few of my favorites from this year’s workshop in New York City.

The Flatiron building is iconic by all standards and symbol of New York’s great architecture. I decided to use a 21mm to help frame the scene as cabs rushed by honking their way through the intersection.

NYC FlatIron Building photographed with a Leica M6 and Portra 400 film.

I also spotted a man using a phone booth. He had a Goodfellas look about him as he chatted on the phone  holding his cigarette. To be honest,  I haven’t seen anyone using a phone booth in a long time!

Man Using NYC Phone booth. Photographed using an M6 and Portra 400

What I love about NYC is you never know what you’re going to see in the streets.  I never imagined a couple of high-heel-mobiles going past…

Stiletto cars, captured with Leica Monochrom and 35mm

Soho is well known for it’s shopping but what I love are the wide bricked streets, classic New York architecture, and of course the interesting people. I was chatting with Bing, one of my students, about approaching people when we saw this man and his dog. We stopped to talk to him for a while and it turned out that he was into photography as well. So we started chatting about cameras and the city and our workshop while Bing was shooting away. I only took one shot during our conversation, but he was heck of a nice guy and gentleman about the entire process. The next day we discovered it was Neal Slavin, a renowned photographer with a studio in Soho. His work and talent speaks for itself, so check it out. You never know who you’ll meet on the streets of New York!

Neal Slavin and his dog. Leica Monochrom with 35mm

Someday I will go to China, but until then I have Columbus Park in Chinatown which is a favorite among the locals for playing cards.

Columbus Park in Chinatown

The Fish Market in Chinatown always offers some unique photographic opportunities.

Chinatown Fish Market

One of things I love about NYC is the amazing Graffiti. In Spanish Harlem I had the opportunity to see the artists working in shifts with spray paint and tiles to create this amazing piece of art. The crazy thing is they even worked on this project at night with the use of spotlights. There is so much talent in this world.

Artist working on Graffiti in Spanish Harlem

In between our workshops I was able to make some time for myself and head over to Brooklyn’s Dumbo Park to photograph the Manhattan bridge. The bridge is simply beautiful.

Manhattan Bridge- Monochrom with 21mm lens and yellow filter.

We use the NYC subway quite a bit during our workshops and it’s usually packed to the brim with people, but on occasion you get lucky and you have the car to yourself. 🙂

NYC Subway

Coney Island has become one of my favorite locations to visit during our workshop for it’s cult-like following and colorful residents.

Coney Island

Brighton Beach is known for it’s Russian population where the locals congregate for chats, exercise, and of course the view of the Atlantic Ocean. I love the area for street photography.

The boardwalk near Brighton Beach

I saw this gentleman at a distance doing pushups on a park bench. I was intrigued and approached him to ask if I could take his photo. His physique was matched by his big personality and he was very graceful with his time. We got to chatting about his 7 children and life on Coney Island.

Mike from Coney Island. He’s lived there all his life.

He looked great for any age, which of course led me to ask the question, “How old are you?” He said, “How old do you think I am?” I replied, “I’m not sure, but I would say you can’t be a day over 52.”  He replied with a big grin, “I’m 74!”  I of course I had a hard time believing him, and apparently my reaction was the norm because he quickly furnished his birth certificate! This of course made us all laugh, but as Mike tells it, he’s used to no one believing him so he started carrying his birth certificate to prove his age.

We chatted with Mike for a while more before moving on when Staci slowly leaned over to me and said, “Now you know the expectation.” I of course laughed because everyone knows I’m too afraid of needles to get a tattoo. 🙂